Alexa System

Through rental services, REC provides its customers all that they need in professional shooting. Among many products available are: Arri Alexa Studio XT, Arri Alexa Studio, Alexa Plus, with Arriraw Codex System and also the best brand optics (Zeiss, Canon, Kinoptik, Elite).

    • alexamini4:3 sensor
    • De-Squeeze for anamorphic shots, frame rate da 0.75 a 200fps
    • PRORES and ARRIROW recording in camera on CFast cards 2.0 or on Codex recorder
    • Images 4K UHD in ProRes
    • ALEV III Sensor for high quality image


    >> www.arri.com
  • xt studioAt the pinnacle of the range is the ALEXA XT Studio, featuring a quiet, adjustable mirror shutter and an optical viewfinder that provides a real-time, high contrast image with true colors. The Studio is a direct response to cinematographers requests for a camera that perfectly combines cutting edge digital image-making with traditional elements of the film cameras they have known and trusted for generations. Like the ALEXA XT Plus, the ALEXA XT Studio has an integrated wireless receiver for camera and lens remote control, built-in tilt and roll sensors and additional connectors for camera and lens control, signal output and accessory power supply. Like all ALEXA XT cameras it has in-camera ARRIRAW recording, a 4:3 Super 35 sensor, LDS PL mount, included anamorphic de-squeeze and high speed licenses as well as a new, super silent fan. Additionally, the ALEXA XT Studio also has an internal motorized ND filter and a DNxHD license (DNxHD recording not possible with SUP 8.0, planned for SUP 9.0).

    >> www.arri.com
  • alexa studioAt the pinnacle of the range is the ALEXA Studio, featuring a quiet, adjustable mirror shutter and an optical viewfinder that provides a real-time, high contrast image with true colors. The Studio is a direct response to cinematographers' requests for a camera that perfectly combines cutting edge digital image-making with traditional elements of the film cameras they have known and trusted for generations. Another key feature of the ALEXA Studio is its 4:3 sensor, which makes it the only digital camera (aside from the ARRIFLEX D-21) to boast true anamorphic capability. Anamorphic lenses create a unique, cinematic look that has been appreciated by directors and cinematographers for over half a century, and cannot be created in post. In response to feedback from end users and the rapid take-up of the ARRI ALEXA camera system on professional productions of all kinds, ARRI has created a High Speed mode that can record slow motion images using frame rates from 60 to 120 fps.

    >> www.arri.com
  • alexa plus

    The ALEXA Plus adds integrated wireless remote control, the ARRI Lens Data System (LDS), additional outputs, lens synchronization for 3D, and built-in position and motion sensors. It shares ALEXA's image performance, simplicity of operation, reliability in extreme environments and versatility of workflow, and is available either as part of a complete camera package or as an upgrade for the original ALEXA. An advanced electronics side cover permits real-time wired or wireless remote control of camera REC/STOP and lens functions like focus and aperture, using either ARRI hand controllers such as the Wireless Compact Unit (WCU-3) or cmotion's modular cvolution system.The lens mount of the Plus model incorporates LDS contacts, allowing lens data and depth of field to be displayed in the viewfinder or on monitors, and making speed/iris ramps easier. Lens metadata can be recorded using ProRes, HD-SDI or ARRIRAW.

    > >> www.arri.com
  • Arriraw CodexThe Codex Onboard can record anything from HD for television, to the highest quality digital cinematography cameras. It can be mounted directly on a wide range of camera systems including ARRI ALEXA, ARRI D-21, Sony F35.
    The Codex Onboard can record uncompressed or wavelet cinema quality HD material – plus audio and metadata – onto a single, removable data pack. When shooting is done, it offloads materials faster than real-time. Weather-resistant unit Weighting: just 2.5kg / 5.7lb Ideal for single or multi-camera production The Onboard can record simultaneously from two 4:4:4 cameras – for A&B or 3D stereo shoots – or from two 4:2:2 cameras. The Onboard records using uncompressed or visually lossless wavelet compression, with compression ratios from 3:1 to 8:1. It also significantly reduces the storage requirements of a production. The Onboard delivers immediate full-frame playback and review as video. It also delivers reference and viewing files over a network for full on-set quality control. Used with a Codex Media Station, it can deliver shots in multiple industry-standard formats – these can be generated on-the-fly for editing systems to use without importing

    >> www.codexdigital.com
  • Accessori

    Monitor 24' - 17'  TVLogic  
    Monitor 17' Panasonic
    MiniMonitor TVLogic 5,6' - 7' - Transvideo - Arri
    SxS 32 GB - 64 GB Cards
    Codex Data Pack 480 GB
    Zeiss and Cooke Lenses
    Angenieux and Cooke Zoom Lenses
    Arri Matt Box system complete
    Arri Follow Focus system complete
    Remote Focus
    Tiffen Filters
    O'Connor Head
    Cartoni LAMBDA - SIGMA - MAXIMA - C-40s Heads