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With its famous features the 2575 fluid head has become the standard for film production. The head includes OConnor’s patented sinusoidal counterbalance system for true, accurate balance at any point in the tilt range. Add to this OConnor’s stepless, ultra-smooth pan & tilt fluid drag, and you’ve got ultimate control and stability for film style shooting. As the next generation head of the highly successful 2575 series, the 2575D retains a large number of features and functions from the older heads but includes many new features: Platform controls on the operator’s side of the head Platform release lever with a one touch finger actuated safety release catch - allowing for one “finger” or hand action to undo the safety catch and open the lever Dual platform scales Platform with 4 handle rosettes Soft hand rest on left hand side
OConnor introduces the 2575’s baby brother…the 2560. Perfectly suited to the adaptable, a la carte configurations of accessorised digital cinematography. Cameras such as the Alexa in portable configuration or any lightweight digital cinema camera (from Sony, Canon, ARRI, AJA, JVC, Panasonic, Vision Research, RED) in ‘maxed out’ studio configuration. OConnor Ultimate heads have been used on almost every Hollywood movie feature and episodic TV Drama since the early 1990’s and OConnor heads in general have been heavily utilised in the industry since 1949.
The Master 40 is the ideal support for Broadcast Camera configurations up to 40 kg (88lbs). It features an amazingly smooth patented counterbalance system and the superb thin plates fluid drag. The Master 40 controls, knobs and levers, are ergonomically placed to ensure camera operators complete ease-of-use in any situation, whether in the studio, location or during outside broadcasts while drag and counterbalance systems are monitored on a digital display.Payload capacity goes from zero (0) to 40 Kg (88 lbs) with a perfect balance throughout the entire 180° tilt range.The specifically designed continuous Fluid Drag System performs from almost freewheeling to extremely consistent drag for maximum versatility.
CARTONI introduces Maxima, an innovative compact design Fluid Action Head featuring an amazingly smooth patented counterbalance system. The Maxima is the ideal support for all fully equipped Film Cameras and sophisticated broadcast packages. The Maxima controls, knobs and levers, are ergonomically placed to ensure camera operators complete ease-of-use in any situation, whether in the studio, location or during outside broadcasts while drag and counterbalance steps are monitored on a digital display. Payload capacity goes from zero (0) to 40 Kg (88 lbs) with a perfect balance throughout the entire 180° tilt range. The specifically designed continuous Fluid Drag System performs from almost freewheeling to extremely consistent drag for maximum versatility.
The continuously variable counterbalance system is ideally suited to operate with cameras featuring a high center of gravity and weighing from 45 - 100lbs. The frictionless damping modules, features a new patented "planetary" design, which provides for extraordinary performances over an extended temperature range, with smooth and precise movements together with a linear response in any critical environment. And for ease of use the counterbalance and damping system are connected to easy-to-read digital readouts, allowing quick set up even in low light situations. The Sigma interfaces directly with any Mitchell or 150mm bowl base and can be easily mounted on top of all existing pedestals featuring the 4-hole bores. Comes provided with an integral soft grip-carrying handle, two telescopic pan bars and illuminated spirit level.
The C40S is a heavy duty Fluid Action Head specifically designed to support Film and Studio cameras weighing up to 40 kg (88 lbs). Counterbalance mechanism is activated by an 8-position easy grip selector, while the fl uid control system allows the damping levels to range from "0" for free wheeling to 7 for maximum drag on both pan and tilt modes.Standard features include the quick-release camera plate with safety lock, one adaptable telescopic pan bar and illuminated spirit level. The head comes equipped with a Mitchell flat base.
The Award winning LAMBDA Nodal Head is the only Support that allows to set the nodal position with any Camera and pivoting 360° on the focal plan of any Camera. The settings are achieved by graduated slides both horizontally and ver cally with micrometric cranks for extreme precision. A smart system of orientable counterweight rods can be used when the slide run is not su cient. The LAMBDA 50 Head can be mounted on any classic support as Tripods or Dollies or used in underslung position from Cranes and Jib arms. Optional accessories as 3rd Axis, the orientable pan bar, steering wheel, eyepiece holder and the counterweight rods complete the most versatile of supports.
This special accessory has been conceived to add a 3rd axis to a standard Fluid Head and allow the lateral movement called "Dutch angle", enhancing special effects. CARTONI C40S Dutch Head is designed to make exceptionally smooth side-tilt effects simple and straightforward to execute. The Dutch Heads integrates the award winning CARTONI fluid module in progression from "0" to 7 intensity. The counterbalance system features the 7 step spring mechanism. The CARTONI Dutch Head interface directly with the quick release plate on any camera support head featuring the European style quick release plate or can be attached by 2 3/8" screws.
Built of magnesium alloy and aluminum the FOCUS 18 Fluid Head is specifically designed for ENG digital camcorders weighing from 6 to 18 kg (13,2 to 40 lbs). CARTONI has employed the latest in design technology to offer a Fluid Head which is extremely rugged, lightweight and cost-effective. FOCUS 18 offers a host of advanced features including infinitely adjustable tension settings, Euro-style quick release camera plate and switchable illuminated bubble level.
Safe and reliable, the Gamma support is specifically designed for ENG configurations up to 17 Kg (37,5 lbs). Featuring an infinitely variable counterbalance system with easy readable numerical reference, the Gamma provides excellent performances at any angle from + 90 to –70 degrees. For additional tilt matching the –90° angle, an ultra light sliding plate is available (view Gamma 90°). A host of advanced features make this Fluid Head a bestseller in its range including infinitely adjustable drag settings, camera quick release system and illuminated spirit level.
- Arri WCU-4The Wireless Compact Unit WCU-4 combines three axes of lens control with a lens data display in a compact and ergonomic housing. Weighing around 780 grams including battery, it’s one of the lightest hand units in its class, providing unrivaled comfort during a long working day. An optional software license will enable you to remote control all ALEXA Plus type cameras, except the ALEXA HD Plus. This includes setting frame rate, shutter angle, exposure index, false color on the monitor output, and more. Extended camera status information is also available, allowing you to quickly check your camera settings at any time.Arri SXU-1The Single Axis Unit SXU-1 is a simple single channel hand unit that can be set up to control focus, iris or zoom. The SXU-1 can be used along the WCU-4 for separate iris control, perhaps operated by the cinematographer in situations where subtle exposure adjustments are required during travelling shots. Alternatively it can be used with the SMC-1 single motor controller, providing a simple, low cost option to productions that do not need multi-axis wireless lens control.Arri WCU-3The Wireless Compact Unit WCU-3 handset has the capability to control two axes, plus camera run/stop. With a built-in programmable focus knob and thumb slider, its readily available Lithium-ion batteries power the unit for up to 12 hours of continuous operation. The WCU-3 is rugged and weatherproof for demanding production environments. Special attention has been given to ergonomics and durability, with features like an adjustable handgrip, backlit buttons, an illuminated index scale, optional cabled or wireless operation, and sealed precision optical encoders for the manual controls.Arri WFU-3The WFU-3 is used to control focus and/or iris. Focus and iris can be assigned freely to hand wheel and slider, and electronic lens and knob limits can be set easily. In addition it is possible to set mechanical knob limits. The movable index marker is especially useful when the WFU-3 is held at different angles or swapped between hands.Chrosziel MagNumWireless Control of Focus Zoom and Iris - 2.4GHz and 430MHz Frequency Bands
Fluid Dampened Hand Wheel with End Stops - Iris Slide with End Stops
Zoom Rocker with 1 or 2-Finger ControlChrosziel DigiFox16 transmission channels are selectable within the 434 MHz – frequency band (US & UK versions 457 MHz)
Automatic calibration of the end settings and power provision for the motor dependent on the lens’s mechanical performance - Suitable for Outdoor or Indoor Use
Resolution 32 bit, integrated ON/OFF or start/stop recording function - Also controls the dimmer module from the Aladin system
“Electronic gear” for spreading or compressing of the translation ratio between the hand wheel and motor reaction - Range* approx. 300m/330yards outdoors and 80m / 90yards indoorsChrosziel Aladin434 MHz Transmission - 18-Bit Resolution
Calculates with 32-Bit Accuracy - Eight Motor Channels in One Compact Box
Color OLED Display with Membrane Keypad - 330 Yards Outdoors and 90 Yards InsideChrosziel Fox
- Sony PVM-A250Il monitor Full HD PVM-A250 (25") presenta un design leggero e sottile leader del settore* e ha uno spessore inferiore di circa il 40% rispetto al precedente modello PVM-2541A. È facile da trasportare, anche da una persona sola. PVM-A250 include il pannello OLED TRIMASTER EL™ e offre l'angolo di visione più ampio di qualunque altro monitor professionale a schermo piatto sul mercato, rendendo più semplice il monitoraggio per gruppi. Il nuovo elegante design include anche un pannello protettivo per il monitor e protezioni per gli angoli**. Le nuove funzioni di collegamento della telecamera, come la visualizzazione di metadati della telecamera e dell'ottica, e la funzione PaP, offrono la praticità di un funzionamento efficiente sia sul campo che in fase di post-elaborazione.Bon 6" RM-071SCRM-071SC is a recordable preview monitor which records motion pictures in HD video format. It is ideal for camera operators and editors who want to review or share their shots in field. BON's embedded HDMI-to-SDI converter preserves the HDMI's original resolution in its SDI output stream. Shooters can watch their video on an external monitor without blur. Recording can automatically be started by SDI timecode. The screen automatically flips when the monitor is upside down.TVLogic 5,5" Oled VFM-055AThe VFM-055A is a 5.5-inch OLED (organic LED) on-camera viewfinder monitor with native 1920x1080 resolution. It offers truly cinematic image quality with deep blacks, wide-gamut color reproduction, a very wide viewing angle, and support for multiple video formats via 3G-SDI and HDMI 1.4 inputs. Useful functions include cinema camera log-to-linear LUT conversion, HDMI-SDI cross-converted output options.TVLogic 5,6" VFM-056WThe VFM-056WP is available in two configurations and is ideal for HD-SLR production. A 6"x 4"x 1" lightweight magnesium-alloy case houses a 5.6” 1280x800 LED backlit LCD display with a full complement of preferred eatures, including DSLR Scale, Focus Assist, Various Scan Models, Markers, Audio Level Metering with speaker, Time code Display, HDMI loop out via HD-SDI(720p), WaveformVector Scope, Y Level Check and Range Error Check.TVLogic 5,5" VFM-058WThe VFM-058W, the lightweight viewfinder monitor, offers an outstanding picture quality with 5.5” LCD, and Full HD resolution of 1920 x 1080. Innovative and ergonomic design of VFM-058W makes you comfortable in the shooting environment and its light solid magnesium case achieves the highest efficiency of ventilation. The VFM-058W supports multi-formats including 3G/HD/SD-SDI and HDMI that offers a wide application range from DSLR cameras to Pro camcorder for broadcasting and movie shooting. The VFM-058W has various features such as Max Brightness function, Temperature Adaptive Color, HDMI-to-SDI conversion output, 1:1 pixel mode, Luma(Y’) Zone Check function, DSLR Scale, Waveform, Vectorscope, Range Error, Focus Assist, Markers, Audio Level Meter with speaker and time code display.TVLogic 7" LVM-074WThe LVM-074W features a high-resolution (1024x600) 7” LED backlit LCD panel housed in lightweight (600 grams) yet durable magnesium alloy case. An ideal monitor for the latest compact cinema cameras, the LVM-074W offers a wide range of professional features including: Waveform/Vectorscope, built-in HDMI to HD-SDI conversion output, Horizontal and Vertical Image Flip, Focus Assist, Audio Level Meter and more. A feature unique to the LVM-074W is TVLogic’s new user selectable Temperature Adaptive Color function that measures LCD panel temperature and automatically compensate the white balance drift caused by a cold or hot weather.TVLogic 9" LVM-095WThe LVM-095W-N the new 9" released from TVLogic displays full HD resolution of 1920x1080. It also corresponds with a wide range of image sources (3G HD/SD-SDI, HDMI) and provides a wide viewing angle (176 degrees). For maximized efficiency and economic feasibility, LVM-095W-N is constructed from aluminum for an extra-light body weight and a holds a built-in V-Mount. Upgraded with new FHD panel with accurate color reproduction capability that exactly meets the HDTV standards, LVM-095W-N gives super clear picture quality with powerful features.TVLogic 17" LVM-173WThe LVM-173W-3G is the higher end of TVLogic’s two 17inch monitoring solutions. This unit features a true 16:9 Aspect Ratio LCD panel with 12-bit video processing performance allowing for faithful reproduction of interlaced video and unparalleled scaling performance. Multi-Format and standard Dual-Link/3G support help to make this unit suitable for the most demanding applications.TVLogic 24" XVM-245WThe XVM-245W utilizes a High-Purity RGB Matrix LED backlight array to reproduce the most accurate color possible on an LCD. The XVM-245W meets most of EBU Grade 1 specifications for color critical monitors while retaining all of the broadcast features found in the popular LVM Series. The XVM-245W features an integrated 3D LUT and supports import and export of popular color grading application LUT formats.TVLogic 24" LVM-243WThe LVM-243W-3G is a 24” native 1920 x 1080 display with Multi-Format inputs including 3G/Dual-Link HD-SDI, CC decoding, built-in Waveform and Vector Scope, Audio Demuxing, On-screen Audio Level Meter and various Scan modes.TVLogic 24" LVM-245WLVM-245W is a broadcast monitor with high picture quality and professional features. Utilizing the same state-of-heart TFT-LCD panel of XVM-245W, this monitor provides the smooth color ramp with 10bit color depth, high color purity and wide viewing angel. It supports various video interface of SD/HD/3G-SDI, DVI, HDMI, Component Video, S-Video and CVBS. Also provides professional features such as Waveform & Vectorscope, Markers, Timecode, Closed Captions and color calibration.Panasonic 17" BT-LH1710EThe BT-LH1710E monitor provides HD broadcast-quality performance for a wide range of applications whether in the studio or in the field. Resolution is 1280 x 768 with 10-bit image processing for improved colour performance. It supports a 3D look-up table (LUT) that calibrates it to reproduce accurate images according to the specific colour standard selected.Starlite HD5 ArriTransvideo and ARRI are collaborating on a specially adapted version of Transvideo's StarliteHD 5" OLED monitor. The resulting StarliteHD5-ARRI will be able to control the new ARRI ALEXA Mini and also the ARRI AMIRA. Constructed from aviation-grade aluminum, the rugged StarliteHD5-ARRI monitor is the size of a smartphone and weighs less than 200 g. Its compact form factor makes it ideal for weight and size-critical shooting situations, much like the ALEXA Mini. Working together closely, ARRI and Transvideo are developing a touch-screen interface for the StarliteHD5-ARRI that will allow it to control key ARRI camera functions.Panasonic AG-HMR10Four Recording Modes - 1080p Full HD
3.5" LCD Monitor - AVCHD
HD-SDI Input/Output - SecureDigital Tapeless Recording
- Antenna Array for Bolt ReceiverThis Antenna Array is a panel antenna designed to enhance wireless video transmission to Bolt receivers. This MIMO (Multiple In/Multiple Out) antenna focuses the RF signal and reduces interference, producing a more resilient transmission. It offers a boost in reception but does not increase the maximum transmission range.Teradek Bolt 3000The Transmit uncompressed 1080p video wirelessly over 3000 feet line-of-sight with the Teradek Bolt Pro 3000 Wireless Video Transmitter/Receiver Set. Included in this set are a Teradek Bolt Pro 3000 transmitter and receiver, both equipped with 3G-SDI input/output. The transmitter can pair with and multicast to up to four receivers (additional receivers not included). When transmitting uncompressed video, latencies of less than one millisecond can be achieved if no other video processing is necessary.Teradek Bolt 2000The Teradek Bolt 2000 3G-SDI/HDMI Wireless Video Transceiver Set is a latency free wireless transmission system that sends 4:2:2, 1080p60 video up to 2000 ft over the unlicensed 5GHz band. It includes one transmitter and one receiver, both featuring 3G-SDI and HDMI connections. Both can also be outfitted with high gain antennas for increased range and resiliency.Teradek Bolt 1000The Transmit uncompressed 1080p video wirelessly over 1000 feet line-of-sight with the Teradek Bolt Pro 1000 Wireless Video Transmitter/Receiver Set. Included in this set are a Teradek Bolt Pro 1000 transmitter and receiver, both equipped with 3G-SDI input/output. The transmitter can pair with and multicast to up to four receivers (additional receivers not included). When transmitting uncompressed video, latencies of less than one millisecond can be achieved if no other video processing is necessary.Teradek Bolt 600The Teradek Bolt Pro 600 Wireless HD-SDI Video Transmitter/Receiver Set uses a new RF design that allows a transmission range of up to 600 ft line of sight, and it includes RP-SMA connections for external antennas on the transmitter. It supports wireless HD video with zero delay (<1ms) and up to 4 receivers. The transmitter accepts HD-SDI input, and the receiver outputs HD-SDI as well as USB 3.0 video and audio. The receiver features an OLED display and joysticks for easy setup and pairing.Teradek Bolt 500The Bolt 500 3G-SDI/HDMI Video Transmitter from Teradek transmits visually lossless video up to 500' with no delay. Within the unlicensed 5 GHz channel range, you can use multiple Bolts in one location without any interference. Thanks to built-in cross-conversion supported by every Bolt model, the transmitter supports real-time standards and cross-conversion from receiver to transmitter, allowing you to automatically convert resolution, frame rate, and inputs/outputs (HDMI / 3G-SDI) without any additional hardware. The built-in HDMI to SDI converter allows you to connect both your on-camera monitor and video source via the same device, thereby making Bolt 500 suitable for use with MoVI and other separately available gimbals.Teradek Bolt 300Transmit uncompressed 1080p video wirelessly over 300 feet with the Teradek Bolt Pro 300 3G-SDI Wireless Transmitter-Receiver Set. Included in this set are a Teradek Bolt 300 transmitter and receiver both equipped with 3G-SDI ports. The units in this kit are compact and feature internal antennas so they can fit on your camera rig and in your video village, DIT cart, or director's monitor rig.Teradek Bolt 730The Teradek Bolt Pro -730 Multicast Wireless Transmission System is a latency-free wireless transmission system that sends 4:2:2, 1080p60 video at up to 300ft. This Bolt Pro system comes in a set of 1 transmitter and 1 receiver. The transmitter features a loop through SD/HD/3G-SDI output, so you can transmit video, and send the output from the camera to a monitor or deck. The transmitter features an internal battery, that can run the unit for up to 60 minutes, and it features 4-LED indicator lights that indicate battery level.Teradek Bolt Sidekick IIThe Teradek Bolt Sidekick II 3G-SDI Video Receiver is designed with handheld director's monitors in mind. The low-profile chassis keeps the monitor configuration lightweight. Use the SDI output to connect to your monitor of choice, and connect the Teradek-standard 2-pin LEMO connector to either the included power supply or to a battery pack with a separately available cable. Additionally, the SDI connection can output test signals and supports timecode and start/stop metadata. This device is compatible with the Bolt 500, 1000, and 3000 transmitters, maintaining a consistent 300' line-of-sight range, regardless of the transmitter used.Teradek Bolt SidekickThe Bolt Sidekick 3G-SDI Video Receiver is a lightweight universal companion receiver for Teradek Bolt Pro 300, 600 and 2000 systems. Weighing only 10.2 oz, the Bolt Sidekick Receiver is an ideal solution for field and studio monitors up to 300’ from the transmitter.IDX CW-7Receives HD Video / Audio Up to 328 ft - Supports Formats Up to 1080/60i
Zero Frame Delay - Suitable for Outdoor or Indoor Use
Dynamic Frequency Selection - Two Channels of Embedded Audio
4 Selectable Channels - Integrated V MountIDX CW-5The CW-5HD transmitter and receiver system delivers uncompressed HD-SDI or SD-SDI video with virtually no latency or artifacts. In outside production or in studio, high definition signals can be wirelessly transmitted from a professional camera to a monitor—producers and film crews can view exactly what the camera is shooting in real time without long cable runs. Crystal clear images are received in either Unicast using 256-bit secured encryption or Multicast mode for reception by multiple receivers simultaneously.
- Sound Devices Pix 240i4:4:4 12-Bit to ProRes 4444 by 3G-SDI - 4:4:4 or 4:2:2 in 10 or 8-Bit by HDMI
SDI / HDMI 4:2:2 to ProRes or DNxHD - 5" IPS Glossy 800 x 480 Display
Records to CF Cards or 2.5" SSDs - Frame Rate Converter and De-InterlacerSamurai Atomos10-bit HD Recorder - 2.5" SSD or HDD Storage
5" High-Res Touchscreen Monitor - Looping BNC SDI Inputs
Genlock / Timecode, Unit SynchronizationSamurai BladeDirector Quality Monitor - Lossless & Edit Friendly
Proxies On The Go With Cut & Tag Editing - Low Cost Media & Long Record Times
Monitor & Record From Your Camera, Mac & PC!Samurai Ninja2800 x 480 On-Camera Monitor & Recorder - Records 1080p, 10-Bit, 4:2:2
ProRes or DNxHD Encoding and Playback - Zebra, Peaking, False Color
4.3" Resistive Touchscreen Display - HDMI Input & OutputOdyssey 7Q7.7" 1280x800 OLED Touchscreen Monitor - DCI & UHD 4K Recording over HDMI or SDI
ProRes 4444 12-Bit RGB, ProRes 422 - Full Uncompressed DPX 10-Bit and 12-Bit
DCI & UHD 4K 60fps to Apple ProRes 422 - 3G/6G-SDI Inputs. 3G-SDI OutputsAja Ki ProProRes 422 - 10-Bit Real-Time Up/Down Convert
FireWire 800 250GB CapacityPanasonic AG-HMR10Four Recording Modes - 1080p Full HD
3.5" LCD Monitor - AVCHD
HD-SDI Input/Output - SecureDigital Tapeless Recording
The Model 11 is our smallest Dolly. Lightweight and compact, it is built with the same high quality standards found in all J.L. Fisher products. The Model 11 Dolly shares the same controls and characteristics of the Model 10 Dolly and has a complete line of its own accessories. It operates effortlessly on Square or Round Track, making the Model 11 and Model 10 an excellent two dolly combination. The Model 11 Dolly is engineered and manufactured to meet the demanding production needs of the motion picture, television and video industries. Compact size, three-way steering and a solid lift beam give operators a wide variety of options. The reliable, quiet, smooth and safe Model 11 requires minimal maintenance.
The new dolly is characterized by great stability. Its arm movement is steady and smooth, reaching the height of 130 cm (without risers). The dolly is equipped with an incredibly responsive valve system, guaranteeing an impeccable performance of the arm movement. Albatross dolly is engineered and designed using the latest modern technology in structural materials and surface finishes, and Cinetech can guarantee it’s accurate and reliable operation under any environmental condition with a minimum need for maintenance.The Dolly can be equipped with two different types of wheels – the standard wheels of selected hardness can be used directly on the studio floor or any standard track and mixed wheels incorporating the standard wheel along with an inflated rubber wheel guarantee excellent flexibility and performance on any kind of surface, even if it is not completely smooth.
The Ultrasonic Distance Measure UDM-1 measures the distance between film/sensor plane and objects by sending ultrasonic pulses and measuring the time they take to bounce back. It is compatible with any camera system. The measuring range can be setup through the display unit that is part of the basic package. This allows exclusion of objects that are irrelevant for the focus pull and would deliver confusing values to the camera assistant. The UDM-1 comes with a sensor module and a display unit that indicates the measured values on a transflective screen. When used with ALEXA Plus or Studio cameras or the Universal Motor Controller UMC-4, the measured distance will be instantly displayed on the WCU-4 hand unit. The UDM-1 also enables ALEXA Plus or Studio cameras and the Universal Motor Controller UMC-4 to do focus tracking – setting the focus motor to continuously follow measured distance of a subject in the frame.
Led Panel Versatile Bicolor 60x60
595 x 595mm, only 17mm thick and IP65 rating for outdoor use - 1500 lux @ 1m and CRI in excess of 96
No shift in CCT when dimmed - Constant light output over entire CCT range
Flicker free at any f.p.s. speed - Fast response to allow flicker or lightning effects
Four tile mains powered controller with local control & DMX - Single tile mains/battery controller with local control
Led Panel Velvet 60x30
With VELVET LIGHT there is no need to use correction gels, replace diffusers or tubes due to the digital variation of color temperature and light intensity. Its incredibly soft beam is very easy to use, produce no shadows on the actor’s faces and does not disturb their eyes. The velvety quality light wraps around the objects and actors getting beauty and natural look images. The light evenness and power make it the right choice on lighting backgrounds and invaluable as studio or location all purpose light. THELIGHT VELVET panels are compatible with any kind of light source and their built-in and DMX digital controls lets you adapt on the fly to the changing light conditions or desired light effect.
Led Panel Velvet 60x60
VELVET light has been designed to easily get wide light sources by mechanically and electronically linking several panels together. The master-slave function is made to control a group of VELVET panels from the one assigned as master. The slender and solid design with its modular system allow quick set up with a wide range of rigging options: ball head rapid mounts, yokes for ceiling grids installations or rigging on location, ¼-20” threads for rigging, multipanel yokes of various sizes to mount several panels together and get big LED sources without investing on bulky fixtures. The compactness and lightness of the panels made them perfect for limited spaces, low ceilings, transportation and storage.