Arri Super 16mm
All three ARRIFLEX 416 are lightweight, modern Super 16 film cameras, each with a 35-style viewfinder and a mirror shutter that can be manually adjusted from 45 to 180 degrees. The 416 and 416 Plus have an amazingly low sound level similar to that of the ARRICAM. Their speed range is from 1 to 75 fps, while the 416 Plus HS runs from 1 to 150 fps. A completely new lightweight ergonomic design, integrated electronic accessories in the Plus cameras and compatibility with the same lenses and accessories used by their 35 mm siblings make the 416 cameras the most powerful, flexible and portable Super 16 cameras ever built.
On the heels of the successful launch of the ARRIFLEX 416 Plus in 2006, the 416 Plus HS now offers higher frame rates for slow-motion cinematography. Significant recent advances in lenses, film stocks and postproduction technologies have seen a major improvement to Super 16 image quality and a remarkable renaissance of the format.>> www.arri.com
The ARRIFLEX 16SR 3 / SR 3 Advanced is designed to meet all modern production requirements. With the advanced model the viewfinder brightness has been improved through the removal of the lightmeter. The newly designed film guide with sapphire rollers on both sides reduces film dust development and enhances image steadiness dramatically in telecine transfer. The Integrated Video System (IVS) offers maximum video quality. With its off-set PL lens mount it is easy to change the recording format from Regular 16 to Super 16. Equipped with timecode, the ARRIFLEX 16SR 3 / SR 3 Advanced offers direct access to electronic post production. A manually adjustable mirror shutter and the smooth operation level of 20 dBA (+ 2 dBA tolerance) expand the working possibilities of this universal production camera.
A high speed version (16SR 3 Advanced HS) is also available.>> www.arri.com
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